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Tag: Savannah Throneberry

Pluto: Exploring Robotics Law Through the Lens of Science Fiction

Pluto: Exploring Robotics Law Through the Lens of Science Fiction

By Savannah Thorneberry

Robota is a Czech word meaning ‘forced labor,’ from this word, the common term ‘robot’ was born.[1] The term ‘robot’ owes its origins to Czech playwright Karel Capek who, in 1920, created the hit science fiction play Rossum’s Universal Robots.[2] The play depicts robots who are identical to humans in all aspects, minus a soul; without a soul, they lacked the ability to feel and have emotions the way humans do.[3] In media, robots are often portrayed as companions to humans.[4] While robots are not human, the advancement of robotic technology has prompted the discussion of what it means to be human, a question that science fiction and media have long grappled with.[5] Given the ambiguity around AI and robotics and the laws that regulate it, looking to media, specifically science fiction, can provide insights on a range of moral and ethical considerations as to how these laws might be shaped as technology continues to rapidly advance.

Rhythms and Algorithms: How AI is Shaping the Music Industry

Rhythms and Algorithms: How AI is Shaping the Music Industry

By Savannah Throneberry

Artificial Intelligence (AI) has substantially impacted the music scene in the last few years. Individuals have used AI to impersonate popular artists, like Drake, both in sound and style, leaving listeners perplexed as to whether they are listening to a published piece or a well disguised dupe. As a result, artists in the music industry now face the tough task of embracing or rejecting artificial intelligence in music creation.

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